Daily recitation of poems, ballads, sloka,
keerthanas, vachanas, gamaka are very
beautiful. It soothes your mind. It keeps you as a company while doing your
daily chores. It is an ancient method for remembering things, conveying social
messages, spirituality, divinity, even science & maths which we’ll discuss later
how. Education in the ancient times included a whole lot of recitation in
Samskrutha & our vernacular languages. Isn’t it almost removed from our
modern education today? Even in our school times in 80’s and 90’s we used to
mug up a whole lot of poems. Any stanza could be asked in the exam. Any poem
could be asked in the class randomly. Kids could give their own music to recite
it & render it.
But today’s education scheme almost bars school children from poem
reciting. Why? Is it considered a burden? Will it hamper child’s growth? Is it
considered superstitious? Do they consider that there is No Learning in poem
recitation? Does our educators consider the recitation as a bad influence or a
bad culture? Do they fear society awakening? Do they fear upraising like how
‘Vande Mataram’ did to the ruling class running fear down their spine?
My guess is today’s educators consider all of this is true and hence
have removed the recitation for the Kids in schools. What a pity! What a big
loss for the individuals & society for growing up bland children!
Learning by Rote method
Recitation is also unfortunately equated to the ‘Learning by Rote’. And
it is considered as a burden on young minds! They argue the children would
become dumb by recitation without understanding the meaning of the Poem!! You
check your Children’s note book on what do they teach for a poem in the text
book. The child has to write answers for the following questions typically for
the poem:
Theme of the Poem
Tone of the Poem
Rhyming Scheme
Message/ Moral of the Poem
And obviously, the child simply mugs up the answers rather than the
poem itself. The theme, tone, morale etc., will dawn on the individual over the
years if he recites. Every time the child recites that poem he derives a new
meaning of it. Poem recitation is like slowly munching & enjoying the
peppermint. But if you ask him to mug up the meaning of the poem as directed by
the teacher, we are cutting his imaginative capability. Also Q & A he
learns on the poem remains in his memory only till the exam. So it serves only
marks scoring purpose and not serve the long term memory.
Learning by Rote method is a method of learning by
repetition. This is specifically for memorizing things for short term. For
example, What are the various types of bone joints? What are the rivers of
Karnataka? What policies were people centric by the King? Whats the meaning of
this poem? Etc., for which one of the technique is to learn by Rote. This helps
short term memory. It serves marks scoring in the exam. That’s it. 2 weeks
after the exam, everything will be lost. They wont even remember the heading of
the chapters or scheme of the text book.
Other types of ‘Learning’ are by practical means &
experiments. For example, you go to a postoffice and see by yourself how
posting, sorting, packaging etc., work. You go to a farm and you learn tilling,
sowing, watering, harvesting, processing etc., But this requires a lot of
travel, coordination, discipline etc., for a school to do. Instead they teach
all of this in classroom board. The only way child remembers these is by
mugging up the notes by Rote! It further burdens the children. They hate it.
Parents hate it.
The Beauty of Recitation
Recitation is there in every culture, every religion, every
part of the world. By recitation in a musical way, it gets registered in the
Musical memory of the brain. In my another blog I had given the Human Memory
Tree: https://npraveer.blogspot.com/2014/09/time-memory-character-building-in-child.html
Science says that the musical memory is expandable and
unlimited. In vedic culture, all things are musical. The vedas, Upanishads are
musical. Panchatantra, Kathasarithsagara etc are beautiful ancient tales of
morals education for the kids. It was also made of verses for reciting followed
by prose of story elaboration.
Mathematics, Science, Economics & Political Science:
Even the mathematics, scientific books by Bhaskaracharya,
Aryabhatta, Varahamihira are in shloka-roopa followed by the prose explaining
further. For the engineers building tanks, tank bunds, temples and various
complex architecture, it was easy for them to recite and recall for formulas.
There is a very nice book brought out by the Samskrita Bharati giving simple
snippets of key slokas from these books along with comparable European
scientific developments. Similarly, the Ayurveda texts of ancient times had
easy to recite and recall slokas for describing body parts & medicinal
imparting procedure. Even the famous ‘Arthashastra’ by Chanakya is in recitable
slokas helping the administrators for economic policies, political treatises
etc., In those era the constitution was in the form of Smrithis like – Manu
Smriti, Parashara Smriti etc., which were also in easily recitable slokas.
History & Vedic Philosophy:
Our Bharata Itihasa (Indian History) is our own Ramayana
& Mahabharata. Ramayana has 24000 slokas. Mahabharata is the largest single
book in the present world with 1lakh slokas. All our puranas are in the recitable
sloka form describing many historical events. That is how it is passed on
generations over generations and survived.
In fact, it was considered that writing down Vedas is a sin.
It should be recited and passed on in its purest form through music only. When
Vedavyasa segregated Vedas into 4 shakhas (branches), he passed it onto 4
different groups of people asking them to recite it as part of their daily
ritual. That’s how we have 4 shakhas in the Brahmins caste now. But today
hardly anyone know its importance to preserve it. It is now put down in written
form & forgot by many.
Geography:
Sarva Magala Ashtaka rendered in the Vivaha Mahotsava
describes the geography of India very well. It is the invocation of all Rivers,
Mountains, Celestial bodies, All scriptures, Rishis, Rajarshis and many divine
things describing our beautiful Bharata to come to the blessings for the couple
tying the nuptial knot! So we get to learn our Geography. Few examples given
below:
Our Ancient Capitals for recitation:
अयोध्या मथुरा माया काशी कांची अवंतिका |
पुरी द्वारावती चैव सप्तैता मोक्षदायिका ||
पुरी द्वारावती चैव सप्तैता मोक्षदायिका ||
Ayodhya Mathura Maya Kasi
Kanchi Avantika |
Puri Dvaravati chaiva saptaita moksadayikah ||
Puri Dvaravati chaiva saptaita moksadayikah ||
Our ‘pavithra rivers’ for reverence:
गङ्गे च यमुने चैव गोदावरि सरस्वति ।
नर्मदे सिन्धु कावेरि जलेऽस्मिन् संनिधिं कुरु ॥
नर्मदे सिन्धु कावेरि जलेऽस्मिन् संनिधिं कुरु ॥
Gange Ca Yamune Caiva Godaavari Sarasvati |
Narmade Sindhu Kaaveri Jalesmin Sannidhim Kuru
Narmade Sindhu Kaaveri Jalesmin Sannidhim Kuru
RSS has adopted a similar set of slokas called Ekatmata
Stotra. It extends to even cover our freedom fighters and modern Indian
scientists, social reformers. It is very easy for kids to recite and learn
about our entire Bharatha.
Recitation in folklore and tribes of India
My uncle says, there used to be a nomadic tribe called ‘Adavi
Ramaru’ in central Karnataka who were going around all towns and villages
simply singing the songs of Rama in folk language closer to Kannada. Their only
job & profession was to render these songs throughout their life. People
used to take care of their basic needs everywhere they used to go. Temples used
to give them special treatment on special days. Now their kids are modern
educated. Full stop.
All steps of the agriculture used to be done in groups
through singing folklores. Through these folklores there used to be social
message, removal of any social stigma, social reforming message, motivational
examples, local heroes eulogizing, local deity’s reverence etc.,
Now with the modern education pervading even the villages
and remote rural areas, the kids of next generation are corrupted to think
lowly of their own forefather’s tradition. So it fades into history. Some enthusiasts
and NGOs record it from surviving folks. That’s it. It gets into the oblivion
of recordings. The live performances are hastened to death due to no natural patronage
by political powers nor private sector.
Add to this apathy by our own selves, the western religious missionaries
erase whatever left out traditions in the tribes filling the void left with
their Christian carols and rhymes. Especially since the tribes describe everything
they live with as divine, it will be considered religious and cleansing it is a
holy mission for the missionaries to uplift them.
Our modern education erases our tradition. Kids naturally
grow up ‘educated’ with no sense of gratitude to our traditions, language, culture;
Parents don’t entrust their culture with the same fervor they got it from their
elders. They think the modern education is an ‘upliftment’ for which they don’t
mind sacrificing their tradition. They don’t realize that by not transmitting
their tradition down their generations, they are burning to ash a valuable
tradition passed down to them from their elders.
Govina Hadu in Kannada; Punyakoti
One such immeasurable treasure is our Kannada’s Punyakoti
poem which is getting emphatically killed by our educators. Even in the modern
education, this great poem was part of the primary school curriculum till recently at least in state syllabus.
Then during Siddaramaiah’s CM period, some crooks removed it altogether. The
reason given is two fold. Firstly it is too long for kids of any class! But the
second is more bizarre. Only crooked minds can appreciate it. They say, the end
line is injustice to the tiger! There is even an attempt to rewrite it. The so called Intelligentsia under whose grips
our Children’s education is there are just loathsome! And we are in a pitiable
state as there is absolutely no opposition to them. The CBSE, ICSE curriculum of Kannada probably never had it conveniently. Rather inconveniently.
Every child in Karnataka used to recite this poem. Every school
in its school day some year or the other had this performed on stage. Many models were made of the entire story and kept in exhibition. Some of the
phrases from this folksong are ubiquitous in our conversation too. SL Bhyrappa
wrote a famous novel which was filmed on one phrase from this song. The title
is ‘Tabbaliyu Neenade Magane’. Now there is crowd sourcing for a Sanskrit movie
being made on this theme. The tale is so touching and so full of meaning. There
are many take aways in the whole narration. It lets the imagination of a kid go
very wide and wandering. A child can derive a good morale by itself and by its
own imagination without any readymade answers and induced mugged up answers. In
fact, the song-tale is a reflection of the Kannada culture and its soul.
But alas! Now the primary universal education no longer appreciates it. Just axed it.